Nihilism is the belief that all values are baseless and that nothing can be known or communicated. It is often associated with extreme pessimism and a radical skepticism that condemns existence. A true nihilist would believe in nothing, have no loyalties, and no purpose other than, perhaps, an impulse to destroy. While few philosophers would claim to be nihilists, nihilism is most often associated with Friedrich Nietzsche who argued that its corrosive effects would eventually destroy all moral, religious, and metaphysical convictions and precipitate the greatest crisis in human history. In the 20th century, nihilistic themes--epistemological failure, value destruction, and cosmic purposelessness—have preoccupied artists, social critics, and philosophers. Mid-century, for example, the existentialists helped popularize tenets of nihilism in their attempts to blunt its destructive potential. By the end of the century, existential despair as a response to nihilism gave way to an attitude of indifference, often associated with antifoundationalism.
Origins
"Nihilism"
comes from the Latin nihil, or nothing, which means not anything, that
which does not exist.It appears in the verb "annihilate," meaning to
bring to nothing, to destroy completely. Early in the nineteenth century, Friedrich Jacobi used the word to negatively characterize transcendental idealism. It only became popularized, however, after its appearance in Ivan Turgenev's novel Fathers and Sons (1862) where he used "nihilism" to describe the crude scientism espoused by his character Bazarov who preaches a creed of total negation.
In Russia, nihilism became identified with a loosely organized revolutionary movement (C.1860-1917) that rejected the authority of the state, church, and family. In his early writing, anarchist leader Mikhael Bakunin (1814-1876) composed the notorious entreaty still identified with nihilism: "Let us put our trust in the eternal spirit which destroys and annihilates only because it is the unsearchable and eternally creative source of all life--the passion for destruction is also a creative passion!" (Reaction in Germany, 1842). The movement advocated a social arrangement based on rationalism and materialism as the sole source of knowledge and individual freedom as the highest goal. By rejecting man's spiritual essence in
avor of a solely materialistic one, nihilists denounced God and
religious authority as antithetical to freedom. The movement eventually
deteriorated into an ethos of subversion, destruction, and anarchy, and
by the late 1870s, a nihilist was anyone associated with clandestine
political groups advocating terrorism and assassination.
The
earliest philosophical positions associated with what could be
characterized as a nihilistic outlook are those of the Skeptics. Because
they denied the possibility of certainty, Skeptics could denounce
traditional truths as unjustifiable opinions. When Demosthenes
(c.371-322 BC), for example, observes that "What he wished to believe,
that is what each man believes" (Olynthiac), he posits the relational
nature of knowledge. Extreme skepticism, then, is linked to
epistemological nihilism which denies the possibility of knowledge and
truth; this form of nihilism is currently identified with postmodern
antifoundationalism. Nihilism, in fact, can be understood in several
different ways. Political Nihilism, as noted, is associated with the
belief that the destruction of all existing political, social, and
religious order is a prerequisite for any future improvement. Ethical
nihilism or moral nihilism rejects the possibility of absolute moral or
ethical values. Instead, good and evil are nebulous, and values
addressing such are the product of nothing more than social and emotive
pressures. Existential nihilism is the notion that life has no intrinsic
meaning or value, and it is, no doubt, the most commonly used and
understood sense of the word today.
Max
Stirner's (1806-1856) attacks on systematic philosophy, his denial of
absolutes, and his rejection of abstract concepts of any kind often
places him among the first philosophical nihilists. For Stirner,
achieving individual freedom is the only law; and the state, which
necessarily imperils freedom, must be destroyed. Even beyond the
oppression of the state, though, are the constraints imposed by others
because their very existence is an obstacle compromising individual
freedom. Thus Stirner argues that existence is an endless "war of each
against all" (The Ego and its Own, trans. 1907).
Friedrich Nietzsche and Nihilism
Among
philosophers, Friedrich Nietzsche is most often associated with
nihilism. For Nietzsche, there is no objective order or structure in the
world except what we give it. Penetrating the façades buttressing
convictions, the nihilist discovers that all values are baseless and
that reason is impotent. "Every belief, every considering
something-true," Nietzsche writes, "is necessarily false because there
is simply no true world" (Will to Power [notes from 1883-1888]). For
him, nihilism requires a radical repudiation of all imposed values and
meaning: "Nihilism is . . . not only the belief that everything deserves
to perish; but one actually puts one's shoulder to the plough; one
destroys" (Will to Power).
The
caustic strength of nihilism is absolute, Nietzsche argues, and under
its withering scrutiny "the highest values devalue themselves. The aim
is lacking, and 'Why' finds no answer" (Will to Power). Inevitably,
nihilism will expose all cherished beliefs and sacrosanct truths as
symptoms of a defective Western mythos. This collapse of meaning,
relevance, and purpose will be the most destructive force in history,
constituting a total assault on reality and nothing less than the
greatest crisis of humanity:
What
I relate is the history of the next two centuries. I describe what is
coming, what can no longer come differently: the advent of nihilism. . .
. For some time now our whole European culture has been moving as
toward a catastrophe, with a tortured tension that is growing from
decade to decade: restlessly, violently, headlong, like a river that
wants to reach the end. . . . Will to Power)
Since
Nietzsche's compelling critique, nihilistic themes--epistemological
failure, value destruction, andcosmic purposelessness--have preoccupied
artists, social critics, and philosophers. Convinced that Nietzsche's
analysis was accurate, for example, Oswald Spengler in The Decline of
the West (1926) studied several cultures to confirm that patterns of
nihilism were indeed a conspicuous feature of collapsing civilizations.
In each of the failed cultures he examines, Spengler noticed that
centuries-old religious, artistic, and political traditions were
weakened and finally toppled by the insidious workings of several
distinct nihilistic postures: the Faustian nihilist "shatters the
ideals"; the Apollinian nihilist "watches them crumble before his eyes";
and the Indian nihilist "withdraws from their presence into himself."
Withdrawal, for instance, often identified with the negation of reality
and resignation advocated by Eastern religions, is in the West
associated with various versions of epicureanism and stoicism. In his
study, Spengler concludes that Western civilization is already in the
advanced stages of decay with all three forms of nihilism working to
undermine epistemological authority and ontological grounding.
In
1927, Martin Heidegger, to cite another example, observed that nihilism
in various and hidden forms was already "the normal state of man" (The
Question of Being). Other philosophers' predictions about nihilism's
impact have been dire. Outlining the symptoms of nihilism in the 20th
century, Helmut Thielicke wrote that "Nihilism literally has only one
truth to declare, namely, that ultimately Nothingness prevails and the
world is meaningless" (Nihilism: Its Origin and Nature, with a Christian
Answer, 1969). From the nihilist's perspective, one can conclude that
life is completely amoral, a conclusion, Thielicke believes, that
motivates such monstrosities as the Nazi reign of terror. Gloomy
predictions of nihilism's impact are also charted in Eugene Rose's
Nihilism: The Root of the Revolution of the Modern Age (1994). If
nihilism proves victorious--and it's well on its way, he argues--our
world will become "a cold, inhuman world" where "nothingness,
incoherence, and absurdity" will triumph.
Existential Nihilism
While
nihilism is often discussed in terms of extreme skepticism and
relativism, for most of the 20th century it has been associated with the
belief that life is meaningless. Existential nihilism begins with the
notion that the world is without meaning or purpose. Given this
circumstance, existence itself--all action, suffering, and feeling--is
ultimately senseless and empty.
In
The Dark Side: Thoughts on the Futility of Life (1994), Alan Pratt
demonstrates that existential nihilism, in one form or another, has been
a part of the Western intellectual tradition from the beginning. The
Skeptic Empedocles' observation that "the life of mortals is so mean a
thing as to be virtually un-life," for instance, embodies the same kind
of extreme pessimism associated with existential nihilism. In antiquity,
such profound pessimism may have reached its apex with Hegesis. Because
miseries vastly outnumber pleasures, happiness is impossible, the
philosopher argues, and subsequently advocates suicide. Centuries later
during the Renaissance, William Shakespeare eloquently summarized the
existential nihilist's perspective when, in this famous passage near the
end of Macbeth, he has Macbeth pour out his disgust for life:
Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more; it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
In
the twentieth century, it's the atheistic existentialist movement,
popularized in France in the 1940s and 50s, that is responsible for the
currency of existential nihilism in the popular consciousness. Jean-Paul
Sartre's (1905-1980) defining preposition for the movement, "existence
precedes essence," rules out any ground or foundation for establishing
an essential self or a human nature. When we abandon illusions, life is
revealed as nothing; and for the existentialists, nothingness is the
source of not only absolute freedom but also existential horror and
emotional anguish. Nothingness reveals each individual as an isolated
being "thrown" into an alien and unresponsive universe, barred forever
from knowing why yet required to invent meaning. It's a situation that's
nothing short of absurd. Writing from the enlightened perspective of
the absurd, Albert Camus (1913-1960) observed that Sisyphus' plight,
condemned to eternal, useless struggle, was a superb metaphor for human
existence (The Myth of Sisyphus, 1942).
The
common thread in the literature of the existentialists is coping with
the emotional anguish arising from our confrontation with nothingness,
and they expended great energy responding to the question of whether
surviving it was possible. Their answer was a qualified "Yes,"
advocating a formula of passionate commitment and impassive stoicism. In
retrospect, it was an anecdote tinged with desperation because in an
absurd world there are absolutely no guidelines, and any course of
action is problematic. Passionate commitment, be it to conquest,
creation, or whatever, is itself meaningless. Enter nihilism.
Camus,
like the other existentialists, was convinced that nihilism was the
most vexing problem of the twentieth century. Although he argues
passionately that individuals could endure its corrosive effects, his
most famous works betray the extraordinary difficulty he faced building a
convincing case. In The Stranger (1942), for example, Meursault has
rejected the existential suppositions on which the uninitiated and weak
rely. Just moments before his execution for a gratuitous murder, he
discovers that life alone is reason enough for living, a raison d'être,
however, that in context seems scarcely convincing. In Caligula (1944),
the mad emperor tries to escape the human predicament by dehumanizing
himself with acts of senseless violence, fails, and surreptitiously
arranges his own assassination. The Plague (1947) shows the futility of
doing one's best in an absurd world. And in his last novel, the short
and sardonic, The Fall (1956), Camus posits that everyone has bloody
hands because we are all responsible for making a sorry state worse by
our inane action and inaction alike. In these works and other works by
the existentialists, one is often left with the impression that living
authentically with the meaninglessness of life is impossible.
Camus
was fully aware of the pitfalls of defining existence without meaning,
and in his philosophical essay The Rebel (1951) he faces the problem of
nihilism head-on. In it, he describes at length how metaphysical
collapse often ends in total negation and the victory of nihilism,
characterized by profound hatred, pathological destruction, and
incalculable violence and death.
Antifoundationalism and Nihilism
By
the late 20th century, "nihilism" had assumed two different castes. In
one form, "nihilist" is used to characterize the postmodern man, a
dehumanized conformist, alienated, indifferent, and baffled, directing
psychological energy into hedonistic narcissism or into a deep
ressentiment that often explodes in violence. This perspective is
derived from the existentialists' reflections on nihilism stripped of
any hopeful expectations, leaving only the experience of sickness,
decay, and disintegration. In his study of meaninglessness, Donald
Crosby writes that the source of modern nihilism paradoxically stems
from a commitment to honest intellectual openness. "Once set in motion,
the process of questioning could come to but one end, the erosion of
conviction and certitude and collapse into despair" (The Specter of the
Absurd, 1988). When sincere inquiry is extended to moral convictions and
social consensus, it can prove deadly, Crosby continues, promoting
forces that ultimately destroy civilizations. Michael Novak's recently
revised The Experience of Nothingness (1968, 1998) tells a similar
story. Both studies are responses to the existentialists' gloomy
findings from earlier in the century. And both optimistically discuss
ways out of the abyss by focusing of the positive implications
nothingness reveals, such as liberty, freedom, and creative
possibilities. Novak, for example, describes how since WWII we have been
working to "climb out of nihilism" on the way to building a new
civilization.
In
contrast to the efforts to overcome nihilism noted above is the
uniquely postmodern response associated with the current
antifoundationalists. The philosophical, ethical, and intellectual
crisis of nihilism that has tormented modern philosophers for over a
century has given way to mild annoyance or, more interestingly, an
upbeat acceptance of meaninglessness.
French
philosopher Jean-Francois Lyotard characterizes postmodernism as an
"incredulity toward metanarratives," those all-embracing foundations
that we have relied on to make sense of the world. This extreme
skepticism has undermined intellectual and moral hierarchies and made
"truth" claims, transcendental or transcultural, problematic. Postmodern
antifoundationalists, paradoxically grounded in relativism, dismiss
knowledge as relational and "truth" as transitory, genuine only until
something more palatable replaces it (reminiscent of William James'
notion of "cash value"). The critic Jacques Derrida, for example,
asserts that one can never be sure that what one knows corresponds with
what is. Since human beings participate in only an infinitesimal part of
the whole, they are unable to grasp anything with certainty, and
absolutes are merely "fictional forms."
American
antifoundationalist Richard Rorty makes a similar point: "Nothing
grounds our practices, nothing legitimizes them, nothing shows them to
be in touch with the way things are" ("From Logic to Language to Play,"
1986). This epistemological cul-de-sac, Rorty concludes, leads
inevitably to nihilism. "Faced with the nonhuman, the nonlinguistic, we
no longer have the ability to overcome contingency and pain by
appropriation and transformation, but only the ability to recognize
contingency and pain" (Contingency, Irony, and Solidarity, 1989). In
contrast to Nietzsche's fears and the angst of the existentialists,
nihilism becomes for the antifoundationalists just another aspect of our
contemporary milieu, one best endured with sang-froid.
In
The Banalization of Nihilism (1992) Karen Carr discusses the
antifoundationalist response to nihilism. Although it still inflames a
paralyzing relativism and subverts critical tools, "cheerful nihilism"
carries the day, she notes, distinguished by an easy-going acceptance of
meaninglessness. Such a development, Carr concludes, is alarming. If we
accept that all perspectives are equally non-binding, then intellectual
or moral arrogance will determine which perspective has precedence.
Worse still, the banalization of nihilism creates an environment where
ideas can be imposed forcibly with little resistance, raw power alone
determining intellectual and moral hierarchies. It's a conclusion that
dovetails nicely with Nietzsche's, who pointed out that all
interpretations of the world are simply manifestations of will-to-power.
Conclusion
It
has been over a century now since Nietzsche explored nihilism and its
implications for civilization. As he predicted, nihilism's impact on the
culture and values of the 20th century has been pervasive, its
apocalyptic tenor spawning a mood of gloom and a good deal of anxiety,
anger, and terror. Interestingly, Nietzsche himself, a radical skeptic
preoccupied with language, knowledge, and truth, anticipated many of the
themes of postmodernity. It's helpful to note, then, that he believed
we could--at a terrible price--eventually work through nihilism. If we
survived the process of destroying all interpretations of the world, we
could then perhaps discover the correct course for humankind: I praise, I
do not reproach, [nihilism's] arrival. I believe it is one of the
greatest crises, a moment of the deepest self-reflection of humanity.
Whether man recovers from it, whether he becomes master of this crisis,
is a question of his strength. It is possible. . . . (Complete Works
Vol. 13)
1 comment:
so inspiratif
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